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Dr Visvesvaraya the symbol of Indian talent

  āĻ­াāϰāϤী⧟ āĻŽেāϧাāϰ āĻĒ্āϰāϤীāĻ• āĻĄ. āĻŦিāĻļ্āĻŦেāĻļ্āĻŦāϰাāĻ‡ā§Ÿা || Dr. Visvesvaraya the symbol of Indian talent






āϟ্āϰেāύেāϰ āĻ•াāĻŽāϰাāϰ āĻāĻ•āϟি āϘāϟāύা āφāϜāĻ“ āĻŽাāύুāώāĻ•ে āĻŽāύে āĻ•āϰি⧟ে āĻĻে⧟ āĻ­াāϰāϤী⧟ āĻĒ্āϰāϤিāĻ­াāϰ āĻ…āĻŽāϰ āĻ•াāĻšিāύি। āĻŦ্āϰিāϟিāĻļ āĻļাāϏāύাāĻŽāϞেāϰ āĻ•āĻĨা। āĻ•ā§ŸেāĻ•āϜāύ āχংāϰেāϜ āϝাāϤ্āϰী āĻ­āϰা āĻ•াāĻŽāϰা⧟ āϧুāϤি-āĻĒাāĻž্āϜাāĻŦি, āĻ•াāϞো āĻ•োāϟ āφāϰ āĻŽাāĻĨা⧟ āĻĒাāĻ—ā§œি āĻĒāϰা āĻāĻ• āĻ­াāϰāϤী⧟ āĻ­āĻĻ্āϰāϞোāĻ• āϚুāĻĒāϚাāĻĒ āĻŦāϏে āĻ›িāϞেāύ। āχংāϰেāϜāϰা āϤাঁāĻ•ে āύি⧟ে āĻ াāϟ্āϟা-āϤাāĻŽাāĻļা āĻļুāϰু āĻ•āϰāϞ। āĻ•েāω āϤাঁāĻ•ে āĻ—্āϰাāĻŽ্āϝ āĻ­ূāϤ āĻŦāϞে āωāĻĒāĻšাāϏ āĻ•āϰāϞ, āĻ•েāω āφāĻŦাāϰ āϰাāĻ—ে āĻĢেāϟে āĻĒ⧜āϞ āϝে, āĻ•েāύ āĻāĻ•āϜāύ āĻ­াāϰāϤী⧟āĻ•ে āϟ্āϰেāύে āωāĻ āϤে āĻĻেāĻ“ā§Ÿা āĻšā§ŸেāĻ›ে।


āĻ•িāύ্āϤু āφāĻļ্āϚāϰ্āϝāϜāύāĻ•āĻ­াāĻŦে, āĻ­āĻĻ্āϰāϞোāĻ•েāϰ āĻŽুāĻ–ে āĻ•োāύো āϰাāĻ— āĻŦা āĻ…āĻĒāĻŽাāύেāϰ āĻ›াāĻĒ āĻĢুāϟāϞ āύা। āϤিāύি āϝেāύ āĻ—āĻ­ীāϰ āϚিāύ্āϤা⧟ āĻĄুāĻŦে āĻ›িāϞেāύ। āĻšāĻ াā§Ž āĻ•āϰেāχ āϤিāύি āĻĻাঁ⧜ি⧟ে āωāĻ ে āϜোāϰে āĻŦāϞāϞেāύ, “āϟ্āϰেāύ āĻĨাāĻŽাāύ!” āĻŽুāĻšূāϰ্āϤেāϰ āĻŽāϧ্āϝেāχ āϚেāύ āϟেāύে āĻĻিāϞেāύ। āϟ্āϰেāύ āĻĨেāĻŽে āϝেāϤেāχ āχংāϰেāϜāϰা āφāϰāĻ“ āĻ•্āώেāĻĒে āωāĻ āϞ। āĻ…āĻļিāĻ•্āώিāϤ, āĻ…āϜ্āĻž, āĻĒাāĻ—āϞ—āϏāĻŦ āϧāϰāύেāϰ āĻ—াāϞাāĻ—াāϞি āϤাāϰ āĻĻিāĻ•ে āĻ›ু⧜ে āĻĻেāĻ“ā§Ÿা āĻšāϞো।


āĻ—াāϰ্āĻĄ āĻāϏে āĻ•āĻ িāύ āϏ্āĻŦāϰে āϜিāϜ্āĻžেāϏ āĻ•āϰāϞেāύ, āĻ•ে āϟ্āϰেāύ āĻĨাāĻŽি⧟েāĻ›ে। āϏেāχ āĻ­āĻĻ্āϰāϞোāĻ• āĻŦিāύ⧟েāϰ āϏāĻ™্āĻ—ে āωāϤ্āϤāϰ āĻĻিāϞেāύ, “āφāĻŽি āĻĨাāĻŽি⧟েāĻ›ি, āϏ্āϝাāϰ। āϝāĻĻি āύা āĻĨাāĻŽাāϤাāĻŽ, āĻļāϤ āĻļāϤ āϞোāĻ•েāϰ āĻĒ্āϰাāĻŖ āϝেāϤ।”


āχংāϰেāϜāϰা āφāĻŦাāϰ āĻšেāϏে āωāĻ āϞ। āĻ•িāύ্āϤু āϤিāύি āĻļাāύ্āϤ āĻ—āϞা⧟ āĻŦāϞāϞেāύ, “āĻāĻ–াāύ āĻĨেāĻ•ে āĻĒ্āϰা⧟ āĻāĻ• āĻĢাāϰ্āϞং āĻĻূāϰে āϰেāϞāϞাāχāύ āĻ­াāĻ™া। āϚাāχāϞে āĻĻেāĻ–ে āφāϏুāύ।”


āĻ—াāϰ্āĻĄāϏāĻš āĻ•ā§ŸেāĻ•āϜāύ āϝাāϤ্āϰী āĻ—ি⧟ে āĻĻেāĻ–āϞ, āϏāϤ্āϝিāχ āϰেāϞāϞাāχāύেāϰ āύাāϟ-āĻŦāϞ্āϟু āĻ–োāϞা। āϭ⧟āĻ™্āĻ•āϰ āĻĻুāϰ্āϘāϟāύা āϘāϟāϤে āĻĒাāϰāϤ। āϤāĻ–āύāχ āϏāĻŦাāχ āĻŦিāϏ্āĻŽিāϤ āĻšā§Ÿে āϜাāύāϤে āϚাāχāϞেāύ, āĻāϤ āĻĻূāϰ āĻĨেāĻ•ে āϤিāύি āĻ•ীāĻ­াāĻŦে āĻŦুāĻāϞেāύ।


āĻ­āĻĻ্āϰāϞোāĻ• āĻŦ্āϝাāĻ–্āϝা āĻ•āϰāϞেāύ, “āϟ্āϰেāύেāϰ āĻ—āϤিāϰ āĻĒāϰিāĻŦāϰ্āϤāύ āφāĻŽি āĻ•āĻŽ্āĻĒāύ āĻĻেāĻ–ে āϟেāϰ āĻĒে⧟েāĻ›ি। āĻāϟা āϤāĻ–āύāχ āĻšā§Ÿ, āϝāĻ–āύ āĻ•িāĻ›ু āĻĻূāϰে āϞাāχāύ āĻ­াāĻ™া āĻĨাāĻ•ে।”


āĻ—াāϰ্āĻĄেāϰ āϚোāĻ–ে āĻŦিāϏ্āĻŽā§Ÿ। āχংāϰেāϜ āϝাāϤ্āϰীāϰা āĻšāϤāĻŦাāĻ•। āĻāϤ āĻ—āĻ­ীāϰ āĻ•াāϰিāĻ—āϰি āϜ্āĻžাāύ āĻ•োāύো āϏাāϧাāϰāĻŖ āĻŽাāύুāώেāϰ āĻĒāĻ•্āώে āϏāĻŽ্āĻ­āĻŦ āύ⧟। āϤাāχ āϤাঁāϰা āĻ­āĻĻ্āϰāϞোāĻ•েāϰ āĻĒāϰিāϚ⧟ āϜাāύāϤে āϚাāχāϞেāύ। āϤিāύি āĻŦিāύ⧟েāϰ āϏāĻ™্āĻ—ে āωāϤ্āϤāϰ āĻĻিāϞেāύ—

“āφāĻŽি āĻŽোāĻ•্āώāĻ—ুāĻŖ্āĻĄāĻŽ āĻŦিāĻļ্āĻŦেāĻļ্āĻŦāϰাāĻ‡ā§Ÿা, āĻāĻ•āϜāύ āĻ­াāϰāϤী⧟ āχāĻž্āϜিāύি⧟াāϰ।”



āĻĄ. āĻŦিāĻļ্āĻŦেāĻļ্āĻŦāϰাāĻ‡ā§Ÿাāϰ āĻ…āĻŦāĻĻাāύ


āĻĄ. āĻŦিāĻļ্āĻŦেāĻļ্āĻŦāϰাāĻ‡ā§Ÿা āĻ•েāĻŦāϞ āĻāĻ•āϜāύ āχāĻž্āϜিāύি⧟াāϰ āύāύ, āϤিāύি āĻ›িāϞেāύ āĻāĻ• āĻĻূāϰāĻĻāϰ্āĻļী āĻĒāϰিāĻ•āϞ্āĻĒāύাāĻŦিāĻĻ। āϏেāϚ āĻŦ্āϝāĻŦāϏ্āĻĨা, āĻŦাঁāϧ āύিāϰ্āĻŽাāĻŖ, āĻĒাāύি āϏংāϰāĻ•্āώāĻŖ, āϏ⧜āĻ• āĻ“ āĻļিāϞ্āĻĒা⧟āύে āϤাঁāϰ āĻ…āĻŦāĻĻাāύ āĻ…āĻĒāϰিāϏীāĻŽ। āĻŽাāχāϏোāϰেāϰ āĻ•ৃāώ্āĻŖāϰাāϜ āϏাāĻ—āϰ āĻŦাঁāϧ āϤাঁāϰ āĻ…āύ্āϝāϤāĻŽ āĻļ্āϰেāώ্āĻ  āĻ•ীāϰ্āϤি, āϝা āφāϜāĻ“ āĻ­াāϰāϤেāϰ āĻ—āϰ্āĻŦ।


āϤাঁāϰ āĻĒ্āϰāϤিāĻ­া āĻ“ āĻ•āϰ্āĻŽāĻĻāĻ•্āώāϤাāϰ āϏ্āĻŦীāĻ•ৃāϤিāϏ্āĻŦāϰূāĻĒ āϤিāύি ‘āĻ­াāϰāϤāϰāϤ্āύ’ āϏāĻŽ্āĻŽাāύে āĻ­ূāώিāϤ āĻšāύ। āφāϧুāύিāĻ• āĻ­াāϰāϤেāϰ āĻļিāϞ্āĻĒ āĻ“ āĻĒ্āϰāϝুāĻ•্āϤি āĻŦিāĻ•াāĻļে āϤাঁāϰ āĻ­ূāĻŽিāĻ•া āĻāϤāϟাāχ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āϝে, āĻĒ্āϰāϤি āĻŦāĻ›āϰ āϤাঁāϰ āϜāύ্āĻŽāĻĻিāύ, ā§§ā§Ģāχ āϏেāĻĒ্āϟেāĻŽ্āĻŦāϰ, āϏাāϰা āĻĻেāĻļে āχāĻž্āϜিāύি⧟াāϰ্āϏ āĻĄে āĻšিāϏেāĻŦে āωāĻĻ্‌āϝাāĻĒāύ āĻ•āϰা āĻšā§Ÿ।



āωāĻĒāϏংāĻšাāϰ


āϟ্āϰেāύেāϰ āϏেāχ āϘāϟāύাāϟি āĻļুāϧু āĻāĻ•āϜāύ āĻŽাāύুāώেāϰ āĻŦুāĻĻ্āϧিāĻŽāϤ্āϤাāϰ āĻ—āϞ্āĻĒ āύ⧟, āĻŦāϰং āĻ­াāϰāϤী⧟āĻĻেāϰ āϜ্āĻžাāύ āĻ“ āĻĻāĻ•্āώāϤাāĻ•ে āĻ…āĻĒāĻŽাāύāĻ•াāϰীāĻĻেāϰ āϚোāĻ–ে āφāĻ™ুāϞ āĻĻি⧟ে āĻĻেāĻ–ি⧟ে āĻĻেāĻ“ā§Ÿাāϰ āĻĒ্āϰāϤীāĻ•। āχংāϰেāϜāϰা āĻ­েāĻŦেāĻ›িāϞ āĻ­াāϰāϤী⧟āϰা āĻ…āĻļিāĻ•্āώিāϤ, āĻ•িāύ্āϤু āĻĄ. āĻŦিāĻļ্āĻŦেāĻļ্āĻŦāϰাāĻ‡ā§Ÿা āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰেāĻ›িāϞেāύ, āϏāϤ্āϝিāĻ•াāϰেāϰ āĻĒ্āϰāϤিāĻ­া āϏীāĻŽাāύ্āϤ āĻŽাāύে āύা, āϜাāϤāĻĒাāϤ āĻŽাāύে āύা।


āφāϜāĻ•েāϰ āĻĒ্āϰāϜāύ্āĻŽ āϤাঁāϰ āĻ•াāĻšিāύি āĻĨেāĻ•ে āĻļিāĻ•্āώা āύিāϤে āĻĒাāϰে—āφāϤ্āĻŽāĻŦিāĻļ্āĻŦাāϏ, āϧৈāϰ্āϝ āφāϰ āϜ্āĻžাāύ āĻĻি⧟ে āĻ…āϏāĻŽ্āĻ­āĻŦāĻ•েāĻ“ āϏāĻŽ্āĻ­āĻŦ āĻ•āϰা āϝা⧟।




More realted article :


Satyajit Ray A Master of World Cinema



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  Satyajit Ray A Master of World Cinema Satyajit Ray (1921–1992) was one of the most influential filmmakers in the history of world cinema, whose works redefined storytelling in Indian and global filmmaking. A director, writer, illustrator, music composer, and intellectual, Ray’s contribution to cinema lies not just in the beauty of his films but also in his ability to portray human emotions and social realities with unparalleled honesty. Early Life and Background Satyajit Ray was born on May 2, 1921, in Calcutta (now Kolkata), into a prominent Bengali family known for its cultural and literary achievements. His grandfather, Upendrakishore Ray Chowdhury, was a noted writer, illustrator, and publisher, while his father, Sukumar Ray, was a pioneering poet and humorist in Bengali literature. Sukumar Ray passed away when Satyajit was just two years old, leaving a lasting void in his life but also a rich creative legacy. Ray studied at Presidency College, Calcutta, where he completed hi...

Zubeenn Garg The life, songs and story of a philanthropist from Assam

āϜুāĻŦিāύ āĻ—াāϰ্āĻ— āφāϏাāĻŽেāϰ āĻ•িংāĻŦāĻĻāύ্āϤি āϏংāĻ—ীāϤāĻļিāϞ্āĻĒীāϰ āϜীāĻŦāύ, āĻ—াāύ āφāϰ āϜāύāĻĻāϰāĻĻী āĻŽাāύুāώেāϰ āĻ—āϞ্āĻĒ | Zubeen Garg The life, songs and story of a philanthropist from Assam Zubeen garg āĻĻিāύ āϤিāύেāĻ• āφāĻ—ে, āϏোāĻļ্āϝাāϞ āĻŽিāĻĄি⧟া⧟ āφāϏাāĻŽেāϰ āϏংāĻ—ীāϤ āĻļিāϞ্āĻĒী āϜুāĻŦিāύ āĻ—াāϰ্āĻ—েāϰ āĻŽাāϰা āϝাāĻ“ā§Ÿাāϰ āĻ–āĻŦāϰ āĻĒ⧜āϞাāĻŽ। āĻāχ āύাāĻŽেāϰ āĻ•াāωāĻ•ে āϚিāύি āĻŦāϞে āφāĻŽাāϰ āĻŽāύে āĻĒ⧜āϞোāύা। āĻĒāϰে āĻ–āĻŦāϰেāϰ āĻŦিāϏ্āϤাāϰিāϤ āĻĒ⧜āϤে āĻ—ি⧟ে āĻĻেāĻ–ি, āωāύি ⧍ā§Ļā§Ļā§Ŧ āϏাāϞে āĻ—্āϝাংāϏ্āϟাāϰ āϏিāύেāĻŽাāϰ ”āĻ‡ā§Ÿা āφāϞী” āĻ—াāύেāϰ āϏেāχ āĻŦিāĻ–্āϝাāϤ āĻļিāϞ্āĻĒী। āφāĻŽাāϰ āĻ–াāύিāĻ•āϟা āĻŽāύ āĻ–াāϰাāĻĒ āĻšāϞো। āĻŦ্āϝāϏ āĻāχāϟুāĻ•ুāχ! āĻ•িāύ্āϤু āĻĢেāϏāĻŦুāĻ• āĻāϞāĻ—āϰিāĻĻāĻŽ āĻ•āĻ িāύ āϜিāύিāϏ। āĻāϰāĻĒāϰ āϏ্āĻ•্āϰāϞ āĻ•āϰāϞেāχ āϜুāĻŦিāύ āĻ—াāϰ্āĻ— āĻŦিāώ⧟āĻ• āύাāύা āĻ–āĻŦāϰ āύিāωāϜāĻĢিāĻĄে āφāϏāϤে āĻļুāϰু āĻ•āϰāϞ। āĻāϰ āĻŽāϧ্āϝে āĻāĻ•āϟা āĻ­িāĻĄিāĻ“ āĻĻেāĻ–ে āφāĻŽি āύ⧜েāϚ⧜ে āĻŦāϏāϞাāĻŽ।  āϜিāĻĒ āϟাāχāĻĒেāϰ āĻāĻ•āϟা āĻ—া⧜িāϤে āĻ•āϰে āϜুāĻŦিāύেāϰ āĻŽৃāϤāĻĻেāĻš āĻā§ŸাāϰāĻĒোāϰ্āϟ āĻĨেāĻ•ে āĻ—ু⧟াāĻšাāϟি āĻļāĻšāϰেāϰ āĻĻিāĻ•ে āύি⧟ে āφāϏা āĻšāϚ্āĻ›ে। āϰাāϏ্āϤাāϰ āĻĻুāχ āϧাāϰে āĻšাāϜাāϰ āĻšাāϜাāϰ āĻŽাāύুāώ āĻĻাঁ⧜ি⧟ে āφāĻ›ে! āφāϰ āĻ—া⧜িāϰ āĻĒেāĻ›āύে āĻĒাāĻ—āϞেāϰ āĻŽāϤ āĻĻৌ⧜াāϚ্āĻ›ে āφāϰāĻ“ āĻ•ā§ŸেāĻ• āĻšাāϜাāϰ āĻŽাāύুāώ! āĻāϰāĻĒāϰ āĻ—āϤ āϤিāύ āĻĻিāύ āϧāϰে āφāĻŽি āϜুāĻŦিāύ āĻ—াāϰ্āĻ—āĻ•ে āύি⧟ে āĻĒ⧜াāĻļোāύা āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāϞাāĻŽ। āϤাāϰ āĻĻে⧟া āύাāύা āϏাāĻ•্āώাā§ŽāĻ•াāϰ āĻĒ⧜āϞাāĻŽ, āĻŦিāĻ­িāύ্āύ āĻ…āύুāώ্āĻ াāύে āϤাāϰ āĻĒাāϰāĻĢāĻŽ্āϝাāύ্āϏ āĻĻেāĻ–āϞাāĻŽ! āĻŦোāĻাāϰ āϚেāώ্āϟা āĻ•āϰāϞাāĻŽ, āĻāĻ•āϜāύ āϏংāĻ—ীāϤ āĻļিāϞ্āĻĒীāϰ āĻŽৃ্āϤ্āϝুāϤে āφāϏাāĻŽেāϰ āĻŽাāύুāώ āĻāĻŽāύ āωāύ্āĻŽাāĻĻ āĻš...